Our discussion of pathos began with the missing
persons posters that would become communal icons for the residents of New York
who experienced the event firsthand.
Before analyzing the images themselves, we looked
at the geographical context of their display. Many students in the
class had never been to New York City or seen the Trade Center towers in
person. This field context of the missing persons posters was emphasized
by a team of geographers from Rutgers:
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Posters proved to be a rich
source of information about many human dimensions of disaster. Among others,
they provided insights about: the disaster-impacted population; the role
of vernacular information and "grass roots" contributions to formal
systems of disaster management; informal information display and communication
strategies; the multiplicity of messages about hazard that are contained
in everyday urban landscapes as well as crisis ones; and differential neighborhood
responses to disaster. (Mitchell) |
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The urban context and the particular kairos
of New York City after the disaster was not information that was immediately
accessible to my students. They responded to the images from missing persons posters and analyzed
them without a sense of nearby images or landmarks. |