I once told my Japanese students that I thought American ghosts lived in the blank channels between television channels as a spur-of-the-moment joke, but the idea of ghosts in the television is an interesting and adaptive metaphor that helps us look at how we make use of our mediating technologies like television, film, and the web.

As McLuhan predicted, we do indeed live in an electronic global village, a town that exists no where in particular and everywhere all at once (McLuhan & Powers). The one location that we all share, as we move from town to town, state to state, country to country, is the virtual meeting place of our electronic media, our electronic global village inside of which we appear (even if only for a Warholian fifteen minutes) as ghostly visions of ourselves.We have created a shared virtual reality of the world that none of us live in but that we also can't ignore.

When a culture becomes unstuck from a solid sense of place, when it frees itself from the confines of permanence, then that culture's ideas about persona (the ethos of spirit), about history, and about community become rootless, shifting, and open to renegotiation (Chen).

     
  Image of Charlie Chaplin looking down at a potential visitor to the CompuObscura. Taken by Cal Poly Architecture class students using class-created model and slide projector, Spring 2004.  
     
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