A special thank you to my dad, Curt Anderson, for his invaluable support in sifting through and processing over a century's worth of visual materials—family photographs and 8mm home movies—which appear throughout this project, as well as to my partner, Felipe Castelblanco, for his patience and unconditional support with technical troubleshooting and design advice. Thank you to Jamie "Skye" Bianco for pushing me off the ledge, so to speak, of multimodal composing and for challenging me to transform my uncertainties into creative critique. And, most of all, thank you to my grandma for her generosity, grace, and sense of humor in sharing her stories. In every way possible, the Olive Project is dedicated to her memory.