A
Tomb Raider Clone
However, a study of these other heroine-centered games reveals that
their potential for empowering women is undermined by sexist patriarchal
imagery. Eidos Interactive’s Urban Chaos is a prime example. A third-person
action/adventure game much like Tomb Raider, Urban Chaos
is noteworthy in that it is focused on an African-American rookie police
officer named D’arci Stern. The creation of a minority woman lead character
is encouraging, but like Croft, D’arci’s strength of character is undermined.
This happens in two main ways. First, like with Croft in Tomb Raider,
the third-person perspective prevents true merger with D’arci. The gamer
doesn’t fully become D’arci, but instead controls and watches her, as this
screen shot demonstrates.
The second way that Urban Chaos undermines feminism can also
be seen in this screenshot. Much like in
Duke Nukem 3D, many of
the women characters who appear are prostitutes. Even the environment D’arci
navigates is covered with imagery that encourages the gamer to associate
women with sex objects, as seen here.
These examples from Tomb Raider and Urban Chaos demonstrate
clearly a disturbing trend regarding E-games that contain heroines: the
potential for feminist empowerment is deliberately sabotaged with recurrent
imagery that forces a merger between women and sex objects, and gameplay
interfaces that keep the gamer divided from the heroine in question.
Of course, it could be argued that the aforementioned games don’t really
target a female audience, and that the rhetoric as a result is a little
more stereotypically patriarchal. I don’t believe this excuses the rhetorical
choices made by games like Duke Nukem 3D and Urban Chaos,
but it does raise an interesting question: are there any interactive narratives
that target women, and if so, is the rhetoric of these E-games more compatible
with Feminist ideals?
The answer to the first question is yes: there are E-games that target
women. But before I begin analyzing these E-games through a Feminist lens,
a brief examination of the second-wave
of American Feminism is in order.