The question of wiggle room--of space within which to move--brings us back to the metaphor of movement, which runs throughout the collection. Indeed, in the introduction, the editors point to the usefulness of this metaphor, suggesting that "Travel and navigation dominate the ways in which we talk about interacting in cyberspace" (15). We search, explore, find, seek, and get lost in the ins and outs, the ups and downs--and in both the amount of information moving along our telephone lines and in the number of communication platforms to choose from in representing our own individual and collective searches for meaning making. Curiously, this metaphor of movement appears in a number of different descriptions and studies of the Internet and the new communications technologies--so much so, that it has become a commonplace, a shorthand of expression.
As an example of this, I have used quotations from Jeanette Wintersons new novel, The Powerbook, to move you through this review--an appropriate choice, I think, for Winterson's novel interweaves scenes from chatrooms and email exchanges into and throughout a narration of the varying motions of a love affair. Througout The Powerbook, the narrator sifts through multiple hints, trying to decipher her lovers understanding of their relationship--and, in the process, understand her own complex feelings about it. In a contemporary twist, Winterson gives such questioning a bit of extra-added propulsion as her characters try to connect through electrons which, carrying words of love, questioning, and desire, traverse the Internet. In many ways, then, The Powerbook is about the changing literacy of communicating with one another (about love, in this case) in the emerging cyberculture.
Images of the journey, the search, and navigation abound--as they must, for asking the question ("What do we make of all of this?") begs the question of a journey and a move toward meaning. But what meaning/s are we moving toward? And how will the journey impact our meaning making? Moreover, what byways and alternate routes, what criss-crossing paths or new directions, might the metaphor of movement point to--or occlude?
| table of contents | opening | 1 | 2 | 3 | 4 | connections | movement | assumptions | conclusion |