Pedagogical
Profiles

"How Did You End Up Teaching This Course?"
Profiles in Science Communication Pedagogy

a restored estuary. In the foreground, there are four interpretive signs regarding the local ecology and three curved stone benches that form an outdoor classroom.
Outdoor classroom at the University of California, Santa Barbara's North Campus Open Space, an ecological restoration project (photo credit: Karen Lunsford)

CONTRIBUTORS

  Karen Lunsford
  Kara Mae Brown
  Rebecca Chenoweth
  John Schranck
  Kenny Smith
  Amanda Stansell
  Kali Yamboliev

INTRODUCTION

Many students ask us how we became interested in science communication, and we don't have a single answer. The assumption is that we have all earned advanced STEM degrees. But our faculty have taken interdisciplinary paths, like many science communicators. Think about Lulu Miller, the child of both a humanities professor and a science professor, who experimented with several careers before working at Radiolab and writing Why Fish Don't Exist (Miller, 2020). Or David Wallace-Wells, who earned a degree in history but then wrote The Uninhabitable Earth (Wallace-Wells, 2023) and served as a vital voice on climate change. Or Alan Alda, the actor who gradually shifted to science communication after working on the PBS show Scientific American Frontiers and who now runs a program in science communication at Stony Brook University.

In this collection, we present the perspectives of seven different writing instructors from backgrounds ranging from comparative literature, creative writing, English, history, and writing studies. We all work in the University of California, Santa Barbara writing program, which has multiple upper-division science writing courses and a professional writing minor track in science communication. Our community of instructors has a great deal of autonomy to develop curricular initiatives. For example, Karen and Amanda developed an upper-division science writing for the public course ten years ago, which has been taught successfully from a variety of instructional perspectives. We also offer courses about sustainability, the environment, the health professions, and academic science writing.

Our varied backgrounds have motivated us to work together, meeting biweekly to discuss readings and pedagogical successes and challenges. These discussions, as well as the contemporary science communication landscape, have inspired the following narratives. They share some core themes: Kali and Kenny focus on how science writers can address the public's trust in science communication. Rebecca and Amanda explore how science communication instructors can nudge STEM students away from an unfounded certainty about audience and scientific findings. Kara Mae and John examine the impact of disciplinary boundaries and the benefits of moving beyond them or aiming for mutual exchange (rather than writing in service of STEM). Karen and Kenny examine how informal science learning can shape classroom pedagogies.

We share our different pedagogical reflections, as well as specific assignments, with you to illustrate a range of interdisciplinary lenses that can be brought to the classroom. We hope these narratives inspire steps toward a broader community of science communication instructors.

References

  • Miller, Lulu. (2020). Why fish don't exist: A story of loss, love, and the hidden order of life. Simon & Schuster.
  • Wallace-Wells, David. (2023). The uninhabitable earth: Life after warming. Delacorte Press.

"We hope these narratives inspire steps toward a broader community of science communication instructors."

PROFILES

A shabby-chic campus theater made of wood with the words 'Old Little Theatre.'

Engagement as Inclusivity: Reimagining the Presentation Assignment

Karen Lunsford
A faded green building with the name 'College of Creative Studies' and a cactus.

Science in Service to the Literary Arts

Kara Mae Brown
Atul Gawande delivering a commencement speech.

Beyond the Mistrusting Monolith: Counteracting Cynicism in Science Writing Students

Rebecca Chenoweth
A small frozen waterfall.

Becoming a Scientific Humanist: On Teaching Science Writing for the Public

John Schranck
An large-scale interactive digestive system exhibit with a child inside.

Tree Farts, Cancer Cures, and Other Curiosities: How to Teach Students to Avoid Spectacle in Public-Facing Scientific Discourse

Kenny Smith
A doctor examines a patient.

The Rhetoric of Uncertainty: Teaching Pre-Med Students to Communicate Provisional Knowledge

Amanda Stansell
Men at tables with a plaque reading 'NONE BUT THE BRAVE CAN EAT THE FARE.'

(Un)Filtered Science: From the Lab to the Table, and Everything in Between

Kali Yamboliev