Contributors and Table of Contents

Introduction	Marguerite Helmers and Charles A. Hill
The Psychology of Rhetorical Images	Charles A. Hill
The Rhetoric of Visual Arguments	J. Anthony Blair
Framing the Fine Arts Through Rhetoric	Marguerite Helmers
Visual Rhetoric in Pens of Steel and Inks of Silk: Challenging the Great Visual/Verbal Divide	Maureen Daly Goggin
Defining Film Rhetoric: The Case of Hitchcock's Vertigo	David Blakesley
Political Candidates' Convention Films: Finding the Perfect Image—An Overview of Political Image Making	J. Cherie Strachan and Kathleen E. Kendall
Gendered Environments: Gender and the Natural World in the Rhetoric of Advertising	Diane S. Hope
Echoes of Camelot: How Images Construct Cultural Memory Through Rhetorical Framing	Janis L. Edwards
Doing Rhetorical History of the Visual: The Photograph and the Archive	Cara A. Finnegan
Melting-Pot Ideology, Modernist Aesthetics, and the Emergence of Graphical Conventions: The Statistical Atlases of the United States, 1874—1925	Charles Kostelnick
The Rhetoric of Irritation: Inappropriateness as Visual/Literate Practice	Craig Stroupe
Placing Visual Rhetoric: Finding Material Comfort in Wild Oats Market	Greg Dickinson and Casey Malone Maugh
Envisioning Domesticity, Locating Identity: Constructing the Victorian Middle Class Through Images of Home	Andrea Kaston Tange
Framing the Study of Visual Rhetoric: Toward a Transformation of Rhetorical Theory	Sonja K. Foss

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