Bloomer describes her text, Architecture and the Text, as well as the texts she writes on (Piranesi's Carceri and Joyce's Finnegan's Wake):

"In the reading, the object is always turning around on itself. There are multiple points where it involutes, Klein worm-like, and allows wormy or moley routes that let other parts be drawn through. . . .

"It is in this sense a three-dimensional map of "systems" of ideas, documents and configuring diagrams. . . It oscillates between writing and drawing, operating in the spaces in between. . . ."

(Bloomer 20)